EMBODIED TECHNE SERIES
An interview with dance improvisation artist, lecturer and researcher on improvisation and perception (Tunning Scores) as one of the “Embodied Techne Series”.
She takes us across her experiences with dance, movement studies, psychology of perception (J.J. Gibson) and her experience with video.
Conducted in New York by Marlon Barrios Solano (February 15/2008) and video editing courtesy of Ashley A. Friend.
LISA NELSON is a dance-maker, improvisational performer, videographer, and collaborative artist who has been exploring the role of the senses in the performance and observation of movement since the early ’70s. Stemming from her work with video and dance in the ’70s, she developed an approach to spontaneous composition and performance she calls Tuning Scores: a communication format for ensemble performance that she presents as site-specific Observatories. She performs, teaches, and creates dances in diverse spaces on many continents, and maintains long-term collaborations with other artists, including Steve Paxton, Daniel Lepkoff, videoartist Cathy Weis, and Image Lab, a multidisciplinary research/performance ensemble. She received a NY “Bessie” Dance and Performance award in 1987 and an Alpert Award in the Arts in 2002. For 30 years, she was co-editor of Contact Quarterly, an international dance and improvisation journal, and directs Videoda, a project for videotapes of improvisational dance. She lives in the mountains of Vermont in the U.S.
Video images from workshop organized by Movement Research