Dance and “Normality” Symposium, Geneva, Switzerland

Documentary about the dance and “Normality” Symposium presenting ideas and works from international artists and scholars, who problematize notions of normality and ideology in contemporary dance practices.

Documentary about the dance and “Normality” Symposium presenting ideas and works from international artists and scholars, who problematize notions of normality and ideology in contemporary dance practices.
Featuring: Isabella Spirig (CH), Carrie Sandahl (USA), David Toole (GB), Michael Turinsky (A), Marc Wagemans (B), Michael Achtman (CAN), Pete Edwards (GB), Sue Austin (GB), Panaibra Gabriel Canda (MZ) , Isabelle Ginot (F), Nienke Reehorst (NL), ulia Häusermann (CH) and Lennard J. Davis (USA).
Embedded Vlogger is produced by Marlon Barrios Solano for dance-tech.tv and dance-tech.net
From the event website.
INTEGRART SYMPOSIUM 2015
DANCE AND “NORMALITY”

Tuesday, 2 June 2015
MEG Musée d’ethnographie de Genève
Boulevard Carl-Vogt 65-67, Geneva
“Paradoxically it is only when we recognise that we are not completely controlled by norms, that we become free to radically deconstruct and change them.“
Judith Butler
Ever since the beginning of the 20th century Dance History can be told as a continuous questioning of aesthetic and social normativity. However, contemporary dance is still defined by conventions and standards that mirror prevailing social norms. This becomes clear when people with a disability enter the stage – and especially when they do not.
At the fifth IntegrART symposium, artists and experts will focus on creating and recreating “normality” in dance and society. By looking through the lens of the history of culture and dance to analyse this phenomenon, the symposium aims to find aesthetic and ethical alternatives to the tyranny of the “neutral”.
The symposium will explore the following questions (among others):
What lies behind the concept of “normality”? How did it develop and how does it manifest itself in the age of “diversity”?
What part did norms, particularly norms regarding the body and people’s perceived abilities, play in the 20th century of dance? Which rules determine what is dance and who is a “real” dancer today?
What strategies can be used to question, undermine and potentially overcome the “dictate of normality” as an exclusion mechanism?
What are the different artistic practices of dancers with a disability and how do they relate to current standards and conventions in professional dance?
What perspectives does this offer for dancers with a disability in particular and dance in general?
Artistic practices are the starting point for our reflections at the fifth IntegrART symposium. The programme includes presentations and discussions, artists’ videos, short dance pieces, performances, demonstrations and workshops.
Concept: Marcel Bugiel
Collaboration on the concept: Saša Asentic
An international symposium by Migros Cultural Percentage. The 2015 event is organised in partnership with the City of Geneva as part of Out of the Box – Biennale des Arts inclusifs. Supported by the Federal Bureau for the Equality of People with Disabilities FBED, the Swiss Arts Council Pro Helvetia, Corymbo Foundation and Migros Geneva.
produced by marlon barrios solano
for dance-tech.tv and dance-tech.net

About Marlon Barrios Solano/Producer

Marlon Barrios Solano (Venezuela/USA) works as an independent movement/new media artist, researcher, on-line producer/curator, vlogger, consultant and educator.

He is the creator/producer/curator of dance-techTV, a collaborative internet video channel dedicated to innovation and experimental performing arts and its social network dance-tech.net.

http://www.dance-tech.net/profile/network_producer

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